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Carlo Curti (1859, Potenza - 1926, Mexico City), also known as Carlos Curti, was an Italian immigrant to the United States whose most lasting contribution to American society was popularizing the mandolin in American music by starting a national "grass-roots mandolin orchestra craze" (that lasted from 1880 until the 1920s).〔(Ancestry web page with info from National Archives: Passenger Lists of Vessels Arriving at New York, New York, 1820-1897. Microfilm Publication M237, 675 rolls. NAI: 6256867. Records of the U.S. Customs Service, Record Group 36. National Archives at Washington, D.C., Year: 1911; Arrival: New York, New York; Microfilm Serial: T715, 1897-1957; Microfilm Roll: Roll 1739; Line: 6; Page Number: 14 )〕〔〔 He also contributed to Mexican society in 1884 by creating one of Mexico's oldest orchestras, the ''Mexican Typical Orchestra''. The orchestra under his leadership represented Mexico at the New Orleans Cotton Exhibition. As with his Spanish Students, Curti dressed his Mexican band in costumes, choosing the charro cowboy outfit. The patriotic value of having Mexico represented on the international stage gave a boost to mariachi bands (which had normally been repressed by social elites); the mariachis began using charro outfits as Curti's orchestra had done, expressing pride in being Mexican.〔 Curti's ''Orquestra Típica Mexicana'' has been called the "predecesor of the Mariachi bands." He was an orchestra leader, composer, educator at the ''Conservatorio Nacional de Música'' (''Mexican National Conservatory of Music'') , xylophonist, violinist, mandolinist and author of a mandolin method. He was the brother to harpist Giovanni (Juan or John) Curti.〔( Charles Curti in the 1880 United States Federal Census Year: 1880; Census Place: New York City, New York, New York; Roll: 869; Family History Film: 1254869; Page: 426A; Enumeration District: 055; Image: 0207 )〕〔(Carlos Curti in the 1910 United States Federal Census Year: 1910; Census Place: Manhattan Ward 12, New York, New York; Roll: T624_1027; Page: 3B; Enumeration District: 1420; FHL microfilm: 1375040 )〕 ==Spanish Students (1880 — 1884)== About five years after he arrived in the United States (c.1875), Curti saw the opportunity to imitate one of the great acts of his day, the ''Estudiantina Figueroa'' or "Spanish Students" troupe, a costumed, dancing, bandurria-playing group from Spain that was touring in the United States (as well as the United Kingdom and parts of South America in the early 1880s).〔〔 Curti had experience in show business, working with a small traveling opera, along with his brother John.〔 He took advantage, figuring that people wouldn't see the difference when he (an Italian) pretended to be Spanish.〔 He even started using Carlos, instead of Carlo.〔 He established a group similar to the Spanish Students, but made up of Italians playing mandolins (because of the similarity to violins, which they knew). The group blatantly used the Spanish Students' name while touring the United States.〔〔 He later admitted what he had done, and started another group or changed his groups' name to the "Roman Students".〔 The imitators' use of mandolins helped to generate enormous public interest in an instrument previously relatively unknown in the United States.〔 〕 They left and impression on the people who saw them, and the mandolin, rather than the bandurria became established in the United States and Europe.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Carlo Curti」の詳細全文を読む スポンサード リンク
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